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CONSUMER REVIEW
Fuji FinePix A500 digicam with Aquamask waterproof
case
Reviewer: Mark
Truman
Posted: 11/27/2006
At A Glance |
| Description |
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5.1 megapixel compact digital camera with 3x optical
zoom and 1.8" LCD. Aquamask waterproof case is for underwater shooting up
to 10 feet. |
| Highlights |
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Very easy to use; excellent image quality; fast startup;
excellent all weather and underwater performance with case; excellent value |
| Lowlights |
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Lack of manual controls (for those who care); power
button is difficult to operate; sluggish performance |
| Manufacturer |
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Fujifilm
FinePix
A500 webpages
|
| Price |
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Camera: US$179 MSRP; as low as $96
on the Geek.com PriceGrabber storefront
Aquamask case: $79 MSRP; as low as $61
on the Geek.com PriceGrabber storefront |

Introduction
The Fuji FinePix A500 and its little brother, the 4.1 megapixel A400, were introduced
early in 2006 as Fuji's latest entry level compact digital cameras. They both
feature the Fuji Super CCD sensor, which had been used on higher end digital
cameras since early 2003--the A500/A400 were the first entry level cameras to
get it. This CCD has been acclaimed for its ability to capture improved highlight
and shadow detail, and its higher sensitivity for improved low light performance
and lower noise. The bottom line is better overall image quality, and the A500
delivers as promised in this area.
This camera was clearly designed for those who are more concerned with good
pictures and simple operation than with creative control. There are no manual
controls provided other than for white balance, exposure compensation, and ISO
settings. There are a handful of typical scene modes, including portrait, landscape,
sports, and night. The good news is that in full auto mode this camera takes
beautiful pictures.
It is in the in-between size category. It's not as small as the subcompacts
but is still small enough to comfortably carry in pants pocket, shirt pocket,
or purse. The camera fits comfortably in the hand, and a raised bar on the front
and raised nubs in the thumb area on the back make it easy to hang on to.
Controls are well laid out and easy to operate, with the exception of power
button (more on this later). Menus are simple and intuitive. The LCD display
is bright and clear and reasonably easy to see outdoors. There is also an optical
viewfinder, which is a feature that I really like for outdoor shooting. This
one covers only 75% of the frame, but it is more than good enough for most cases.
Power is provided by a set of AA batteries (my personal favorite) and a good
set of high capacity NiMH rechargeables provides several hundred shots on a
charge.
While in all other respects this is pretty basic entry level digital camera,
when paired with the Aquamask waterproof case it truly becomes a standout. For
less than US$200 (about $180 average street price) you get a nearly perfect
camera for outdoor activity, including beach, boating, etc. It is a much better
choice than the disposable underwater cameras that have been around for years
and costs much less than the other digital camera/underwater case combos on
the market, many of which cost as much for the waterproof case alone as this
one does complete with the camera. Several other vendors have recently introduced
"all weather" or limited underwater digital cameras (e.g., the Olympus
Stylus 710/720, Pentax Optio W20), but these are more expensive than the A500/Aquamask
combo and in my opinion don't perform as well.
Key Specifications
| Resolution |
5.1 megapixels |
| Lens / Zoom |
f = 6.4-19.2 mm,
Equivalent to 38-114 mm on a 35 mm |
| LCD / Viewfinder |
1.8" LCD / Optical viewfinder |
| Aperture / Shutter |
F3.3 - F8.5 / 2 sec. to 1/1500 sec. |
| Sensitivity |
ISO 100/200/400 |
| Video Options |
320 x 240 pixels (10 frames/sec.) |
| Storage |
16 MB internal, xD picture card |
| Size |
3.7" W x 2.4" H x 1.1" D, 6.1 oz. (with batteries) |
| Power |
Two AA batteries |
| More
specs at fujifilmusa.com |
Features and Ergonomics

The controls on the A500 are simple and well laid out. The rear panel buttons
control menu and display modes, and a single four-way rocker at the top serves
as a cursor for menu operation and playback, zoom control, and flash/macro modes.
A single button is used to switch to playback mode, and all other camera functions
are controlled via the menus.
The camera fits comfortably in the hand and the controls are easy to operate.
The one exception in my test was the power button. It is a very small button
and is located in a recess on the top of the camera. This design is presumably
to prevent accidentally pressing the button and turning the camera on/off. Unfortunately,
it is hard to press the button when you do want to. For someone with large fingers
it could be even harder. The good news is that when the camera is in the Aquamask
case the power button is easy to activate.
The 3X zoom lens uses good quality Fujinon optics and provides excellent optical
qualities for a camera in this price range. The auto-focus system works well
across the range from macro to zoom and there is minimal shutter lag. I did
have an issue with a couple of out of focus shots in my test photos, and I was
not able to determine whether this was due to effects of the Aquamask case having
water or dirt on the lens or if the auto focus was simply fooled.
Shooting performance is a bit sluggish by current standards. Startup time is
a little under three seconds and shot-to-shot time is about three seconds without
flash and close to 8 seconds with flash.
The menus are well organized and simple to use. Since there are so few manual
controls on this camera there are very few menu options to navigate.
Shooting modes are limited to full auto (which is fine for most situations),
a manual mode that allows setting exposure compensation and white balance, and
four basic scene modes. The scene modes do their job, but since you need to
use the menus to switch them you will likely find yourself staying in full auto
mode most of the time since it works so well. In all modes you can adjust the
ISO setting (or leave it on auto) and there is a 2- and 10-second self timer.
Flash modes include auto, red-eye, forced on/off, and slow synchro. The rated
flash range is 2-10 ft. in wide and 2-6.6 ft. in telephoto. In practice the
flash is a bit weak, and indoor shots in dark rooms at 10 ft. are going to be
disappointing. For portraits or limited fill flash shots it works fine.
The side of the camera has connections for video out (for TV connection), a
power jack for the optional AC adapter, and a USB 1.1 connector. The USB interface
supports both PC download as well as PictBridge for printing directly from the
camera to PictBridge-compatible printers.
The 1.8" LCD display is clear and bright, though it's a bit small by current
standards. It also has an anti-glare coating that makes it very usable outdoors.
In bright sunlight when the LCD washes out the optical viewfinder provides a
good alternative. While it provides only 75% coverage of the frame it works
fine for most point and shoot situations and I prefer to use it over the LCD
most of the time.
The camera uses XD picture cards for storage and comes with a tiny 16 MB card
in addition to the 12 MB of internal memory. With an average image size of 2.5
MB in 5M Fine mode there is room for fewer than 8 pictures on the provided card.
With a 512 MB XD card available for about $35 this is a non-issue.
Power is provided by two AA batteries and a pair of high capacity 2500 mAH
NiMH rechargeables should provide between 200 and 300 shots depending on shooting
conditions, flash, and LCD usage. I got about 100 shots in my tests with a lot
of use of the display and flash. I prefer AA power to other formats, and you
can keep several sets of spare rechargeables on tap for minimal cost--in a pinch
you can use standard alkalines.
Aquamask waterproof case
The Aquamask waterproof case is made of tough polycarbonate with a reinforced
glass lens. The glass lens provides far superior optical performance to all
polycarbonate or plastic cases. It also has the advantage of shedding water
so that the lens remains clear. I took a number of above-water pictures while
swimming with the camera and none of them showed any evidence of water spots
on the lens.
The case uses a simple to operate safety latch to open and close. There is
a slide switch on the latch that prevents you from accidentally opening the
case. Simply open the case, drop the camera in, close it, and latch. A silicone
rubber O-ring provides an excellent waterproof seal.
Once the camera is in the case operation is extremely simple. Spring-loaded
buttons on the case mirror all of the controls on the camera, and the buttons
on the Aquamask are even easier to operate than those on the camera itself--including
the power button, which works flawlessly when the camera is in the Aquamask.
There is a textured panel over the LCD that makes it very usable while in the
case. There is also access to the optical viewfinder, although for some strange
reason Fuji chose to put printing on the Aquamask almost directly in front of
the viewfinder. While it is noticeable, the viewfinder is still usable. There
is a wrist strap on the Aquamask with a silicone grip on the outside and an
adjustable slider to secure it to your wrist (a necessary feature when you are
swimming with your camera). Also, when the camera is in the Aquamask it floats--a
nice feature when you fumble it overboard out of the kayak ...

The case is rated to 10 feet, so it is better suited for snorkeling or general
beach/boat play than as a diving camera. Fuji has an option for that as well,
though: the new F30 with its optional underwater case is good up to 130 feet.
The FinePix F30 also features an ISO rating of 3200, allowing for excellent
low light performance, which is perfect for diving photos. (There is a good
review of the F30 underwater case at LetsGoDigital; be sure to follow the
links to the sample dive photos and video at the end of the article.) With a
current street price of less than $500 for the F30 and underwater case this
is perhaps the best value for a dive camera on the market. I reviewed the F30
for Geek.com (without the underwater case) and found that it is not only good
for diving but is also an excellent subcompact all-around performer as well--check
out my review.
Fuji provides its FinePix viewer software with the A500, which provides typical
image management and organization capabilities. I did not review this software
as I prefer my own selection of photo utilities (Picasa, Photoshop, etc.) to
any of the utilities that are provided by the camera manufacturers.
Image Quality
The image quality of the A500 is where this camera stands out
from the entry level crowd. The Fuji Super CCD HR lives up to its billing in
providing high quality images with excellent color and detail. There is little
evidence of noise or artifacts at low ISO (100/200) settings. Noise starts to
become obvious at ISO 400 but the images are still usable. Outdoor image quality
is generally better than indoor, where the flash is a bit weak and the flash
distance is limited. The low ISO range makes this a bit more of an issue. Since
my primary purpose for this camera is outdoor use the indoor performance doesn't
bother me. A couple of shots from the kayak as sunset approaches demonstrate
the excellent outdoor performance. Note that both of these were taken in the
Aquamask case, evidence of its lack of impact on image quality.


I'm also a big fan of macro photography. I love seeing small bits of my surroundings
that can be pulled out into their own world in pictures. The A500 does an excellent
job in macro mode, both with and without flash. Macro focus range is from 4
inches to 2.6 feet. Auto focus in macro mode worked consistently well, where
this can be a problem area for some entry level point and shoot digicams.

The image quality for underwater photos is nothing short of astounding, particularly
if you are used to the barely usable images from disposable underwater film
cameras. The glass lens in the Aquamask case maintains perfect optical clarity.
Auto focus continues to operate flawlessly and the flash is effective for close-ups
in clear water. Of course, the image quality is going to be only as good as
the clarity of the water, and test shots I took in the ocean water of Rhode
Island's Narragansett Bay were predictably cloudy. This test shot taken in the
clear water of the swimming pool shows the camera's capability. I'd love to
have a chance to try it out on a snorkeling trip in the Caribbean with crystal
water and beautiful fish.

Conclusion
When I first saw the A500 it didn't do anything to pique my interest; it just
seemed to be another basic entry level digital. But when I saw the Aquamask
waterproof case and the price of the combo my interest level jumped way up.
For a number of years I've been trying to solve the dilemma of the right camera
to use when kayaking. There have been digital camera waterproof cases available
for a long time, but they have typically cost as much as I wanted to spend on
a complete camera. I tried a couple of the recent waterproof cameras, but I
wasn't satisfied with the performance and they were still at the top of my price
range for a secondary camera to use on the water. My solution has been to buy
cheap (sub-$200) non-waterproof cameras for the kayak and simply replace them
if they get accidentally dunked (which hasn't happened yet) or when they wear
out from exposure to the elements. I'm on my second one of these cameras now
(a Canon A530), and while I'm really happy with it I would have gone with the
Fuji A500 and Aquamask in a millisecond if I had seen it before buying the Canon.
The A500 has all of the features that I'm looking for in an outdoor camera:
simple to use, excellent image quality, good battery life (with my preferred
AAs), and optical viewfinder. While this wouldn't ever become my everyday camera,
it would be most welcome in my deck bag.
Ratings Defense
I give the Fuji FinePix A500 4 Geekheads out of 5 for Quality and performance
based on the all around good performance and image quality. For the price it
is hard to find a better point and shoot 5 megapixel digital camera.
I also give the A500 4 Geekheads for Geekness. While it isn't a particularly
exciting digital camera on its own, when teamed with the Aquamask case it becomes
the ultimate low cost go anywhere camera. It's also fun to see the look on your
friends' face when you throw the camera to them in the pool or ocean for the
first time!
The A500/Aquamask combination gets a Geek.com
Pick based on its abilities as the ultimate low cost, all weather/underwater
digicam. The only way to improve on this package is to spend hundreds of dollars
more on a high end underwater camera package. If that is what you need then
consider the Fuji
F30 and its underwater case, which also got a Geek.com Pick.
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